Infinite’s Tell Me tries to combine pop feelings with angst

The last time I spoke about Infinite I had someone mad I didn’t write out a glowing review of a song I didn’t like (instead I just said I didn’t care for it and posted the video, and didn’t tag it). So here is my first review of Infinite’s new song Tell Me.

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Old Reviews: Fromis_9 Glass Shoes

Editor’s Note: I wrote this very quickly and to get things out of the way.

After a certain survival show, I had refused to entertain another one. I skipped both seasons of Produce 101, and am barely keeping up with The Unit (there are a couple of people I like on there). Still Idol School came, and several former JYP Trainess of a certain show were putting their hats into the race. In the end only one of them made it to the end, and I swore I wasn’t going to care about another group.

Obviously things don’t go how you want them.

Glass Shoes is a pre-release track for Fromis_9, and their debut is likely going to happen in February. I almost feel bad that this isn’t the debut because it is a likable song. You could probably pop into any faded pastel cute girl group and find an iteration of this exact song. It’s nothing new, or groundbreaking. But in the efforts of keeping it simple they created something that I liked. The highlights have to be the hook section which gives a sort of whimsical nature to the song, and the actual chorus which has that understated drive. That drive only becomes prominent in the final chorus where the song gets the most modest of kicks to make the song not feel flat.

Overall it is a likable effort. I am sure people are tired of the cute concept. I do think it is coming to a close, but fromis_9 made a decent effort with this one.


Glass Shoes is available online for streaming and digital download. 

 

Gashina proves to be a twist on Sunmi’s already offbeat brand

Sunmi has made her first comeback in three years as a soloist. What was she doing? Well between 205-2017, Sunmi had returned to her former idol group Wonder Girls, and helped revitalize their career and image. Of course after giving us two really good releases, the group decides to split up just shy of their 10 year anniversary. With two members have left JYPE, it’s pretty official the group has died, and fans sat in sadness waiting for any indication of comebacks and solo endeavors. Sunmi was the first one to really get that train going, starting late in the summer with her single release Gashina.

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Red Velvet’s Red Flavor affirms a good year

Red Velvet have been on a meandering path to a single form. In the past the group took to splitting their image between bright and vibrant pop and more demure mid tempo R&B retreads. This has since stop for their last three projects, where they have come back more affirmatively on the bright pop side. Russian Roulette was a standard attempt at the typical cute group look. Rookie was a fun track that was betrayed by SM’s attempts to maintain a weird idea of Red Velvet. With Red Flavor, we see the group return to a modified version of 2014

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EXID’s Night Rather Than Day is a soft but dynamic return

EXID are the group that have a tenuous but positive relationship with. While I have liked a majority of their releases, I have never truly committed myself to the group as a fan would. Instead I eagerly await for their return with hopes that this would be the one. Their last song LIE, left me befuddled and not amused, and only at the last minute did I find the song anywhere near charming. For 2017 they come back with a switch once again.

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NiNaNo is a mild intro for Minzy the soloist

Minzy has finally debuted as a soloist with her debut track NiNaNo, which serves as the lead single of her EP Minzy Work 01 Uno. As a relatively high profile act coming from one of the biggest K pop acts, and having started opening herself up to the masses proper, there was a bit of excitement for Minzy’s debut. In the last…three or four months, her company has managed to create an image for an idol that spent a majority of her career strategically out of arms reach (for better and worse). With most of the work settled in, all that was needed was for the actual debut…and here it is.

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CLC reinvent themselves with (Hob)Goblin

Cube is fucked. But that doesn’t mean they can’t release new content for their acts. The first to make an official comeback for the company is heir girl group CLC, who are still looking for their big break in.

Okay…well…let’s get the elephant out of the room.

4Minute-Crazy

It should be pretty obvious that Cube Ctrl+C, Ctrl+V 4Minute’s 2014 effort down to several parts. The major differences being the fashion choices (the colorful/unique CLC vs the more mature but unified monochromatic 4Minute), more filter choices (various colors, vibrancies CLC vs once again, monochromatic 4Minute), and the choreo. Still everything else feels a play by play of what the disbanded group already did. Song starts with the chorus, rapped verse, small sung part, prechorus, chanting chorus, repeat, bridge (Admittedly better than Crazy’s), final chorus. Now you can argue

Getting away from the far too obvious comparison, on first listen I wished the song was just…a little bigger. Like it had something, but not enough of it. I liked the chorus from the jump, but I kind of didn’t see it for the verses northe pre-chorus. Sorn and Seunghee lacked a lot of force needed. They sound very new to the style, which harks back to the whole 4MINUTE comparison.

Things I did like: the song is different for now. A lot of groups have been very much on the cute train, and while it has given many success, it is obviously about to run its course. That being said, the options for concepts are limited. CLC returning as the edged up bad girls is fun. I do think that the group could be a little more invested, as some seem to be more into it than others, but overall, the niche is empty and Cube rarely upsets me like that. Also some of the ladies do stand out, namely Sorn (although I am not impressed with her parts, she has the look), Seungyeon, Yeeun, and Yujin (who oddly enough is still cute).

Goblin hopefully starts a new journey for CLC. While some of their early songs were nice, Goblin definitely gives the group a new space to work from. With time, they can work out the kinks, and unify the sound while also carving their own niche in it. However will it last for the group is what I worry about. This could very well be a flash in the pan for them, and if so…well at least it happened.